Sunday 1st June 2008 at 3:00 p.m.
Georgian Theatre Royal, Richmond, North Yorkshire
The Lass of Richmond Hill — music for the Georgian Theatre
Leeds Baroque Orchestra, Directed by Peter Holman
with Rachel Latham (flute) and Philippa Hyde (soprano).
- William Boyce (1711-1779): Symphony no. 1 in Bb major (1760)
2 flutes, 2 oboes, bassoon, strings, continuo - Thomas Arne (1710-1778): Cantata The Morning (1755)
soprano, flute, strings, continuo - John Stanley (1712-1784): Concerto in D major, op. 2, no. 1 (1742)
2 violins, violoncello solo, strings, continuo - Thomas Arne: What tho’ his guilt from The Desert Island (1760)
soprano, 2 flutes, continuo - William Boyce: Rise, tempests, rise from Corydon and Miranda (1750)
soprano, 2 oboes, bassoon, strings, continuo - Thomas Arne: Where the bee sucks, there lurk I from The Tempest (1746)
soprano, 2 flutes, strings, continuo
INTERVAL
- George Frideric Handel (1685-1759): Sinfonia in Bb major from Solomon (1749)
2 oboes, bassoon, strings, continuo - Thomas Arne: Cantata The Lover’s Recantation (1761)
soprano, 2 flutes, 2 oboes, bassoon, strings, continuo - William de Fesch (1687-1761): Concerto in D major, op. 10, no. 7 (1741)
flute, strings, continuo - Charles Dibdin (1714-1814): The Matron’s recitative and aria from The Ephesian Matron (1769)
soprano, 2 oboes, bassoon, strings, continuo - James Hook (1746-1827): The Lass of Richmond Hill (1789)
soprano, 2 flutes, viola solo, strings, continuo

“What an exciting ensemble, music cunningly articulated …every work delivered different colours and emotions.”